Archive for the ‘Business’ Category

A few quick updates

Saturday, July 30th, 2011

Did a fast and fun backpacks shoot for the good folks over at Design Bureau Magazine. The issue should be hitting the stands later this fall – I’ll update you on when you can expect it. Tight deadline, but a pretty clear idea of what they wanted – and I had just enough time  to run around the warehouse district, set up 5 guerrilla locations, shoot, and move on in one day of perfect light. Definitely learned a few things, and would love to revisit some of those ideas with the bigger cameras, and more time.

Julie Failey has been continuing to develop her lovely jewelry, and we’re changing direction a bit on how we are shooting new pieces. Keep an eye on her website. I feel like we’ve got a good tag team going on with Giana Sitzes doing on-model lifestyle shots, and me handling the the product shots. Julie is a blast to work with, and her vision and energy keeps us all moving forward. Always a good thing.

We took a family vacation to Blowing Rock, North Carolina to spend time with a good friend, and do the tourist thing. Really amazing part of the country. The Blue Ridge and Appalachian Mountains down there are spectacular. Kate even managed to get me across the mile high “Swinging” bridge on the top of Grandfather Mountain. I had forgotten how much fun landscape shooting can be – a couple decades in the flat midwest will do that. Once I process the rolls from that trip, I’ll share a few here. If nothing else, it was great to break out of my usual patterns.

I hope you all are doing well. Good Light.

On film versus digital plus an introduction.

Wednesday, January 26th, 2011

The perennial question on forums, in person, in emails, and at client meetings… Which is better, film or digital? With its inevitable followup, which do you choose to use for X, or Y shot.

And the answer is, like with so many things, it depends. Better at what? Better for whom?

I’ve touched briefly on this before. (Film is not dead) and how for certain photographic needs it may just be perfect. But what I didn’t explain why it may be perfect for your needs too… so more detail is in order.

So first. What are the major factors influencing my decision to use either a digital solution or a film solution for a client need.

  • Timeframe and Workflow
  • Aesthetic
  • Technical Requirements and Merit
  • Budget

Lets tackle each in turn, starting from the top.

(more…)

“Outwork your competitors…”

Wednesday, March 3rd, 2010

Jim Fiscus has an interesting interview (given by a student from his alma-mater, East Texas State) over on the Stockland-Martel blog.

In particular, I liked his parting advice to “aspiring” photographers. (I put aspiring in quotes, because frankly, I think it applies to ALL photographers.)

Learn business skills. Outwork your competitors. Take risks, and be willing to fail.

Good stuff. A simple lesson that bears repeating. Luck is important, but the harder you work, the more opportunity for luck to jump in and lend a hand – you make your own luck.

A few other gems hiding in there. His point about good light is important. Many people seem to think you can fix or create just about anything in post production. And there is no doubt that you can do quite alot. But starting with good light. Learning how to light and set a subject, puts you that much further ahead. It saves you time in post, you start with better material, all in all – you can work to make a good or great picture that much better, instead of spending all of your time trying to overcome flaws in technique.

All of which is a long way of saying. Technique matters. It doesn’t matter how grand and creative your vision is, if you cannot effectively realize it in final image.

Read the full interview here.

Thanks all. Good light.
Liam

Fuji Drama, and Pola Gaga

Sunday, January 10th, 2010

Fuji has announced that they will no longer be making quickload 4×5 films – ceasing production in April.

This is very disappointing. I had been using Porta 160 VC readyloads from Kodak, and when they stopped manufacturing, I finally settled on the Fuji 160 160-C quickloads as a replacement. Now with those going under, I’m not sure what will make the most sense from a workflow standpoint.

Have I mentioned how much I hate having to load my own holders? Dusty, annoying. Room for error. Etc.

Maybe I’ll just have to hire an assistant to do that for me while on location.

In other news… I saw on Rob Haggart’s blog “A Photo Editor” - Lady Gaga Named Creative Director at Polaroid – I am of mixed feelings about this. On the one hand – she’s proven she’s very good at creating and maintaining public interest in a brand (herself). On the other hand, what polaroid needs is good products and good strategy, not gimmicks.

So we’ll see.

Mostly I just want my Type 55 back. But I know I’m a very small market share. :)